Other than that I always really like to blab about drawings, so here we go.
This. Character. Was. Hell. To. Draw. Elf lady, I hate you! Hate you with the fire of a thousand suns! You and your crazy ears! And yet... and yet... you do look so pretty in that hairdo and with your aristocratic cheekbones. This here is the mother of Saira Shadowsong, she is, of course, queen of the aforementioned pet country and ought, I think, to look quite regal, icy and aloof. But other than that, I had a lot of problems properly visualizing this character. I think a lot of it came from trying to work from the very clear idea of her that my DM has, instead of forming a personal vision from which to work. He chose the model and a lot of the clothing. This whole contribution was very important to the process because he has a very clear visual idea of his world and especially for this character.
But I have to admit that in this case it was kind of limiting and a bit frustrating. I think this is one of the reasons why this method of the 4 pages of sketches is very important. Starting out so unsure and encountering so many visualization problems and having to trudge through so many of the sketches became a lot easier to accomodate once I realized that I had plenty of room to fuck up. A lot of the sketches are pretty unweildy and I'm not too happy with ALL of the ones I chose for coloring (probably because my DM chose some of them and we have different aesthetic standards). But I do think that in the end, I got a decent enough sample and a couple of drawings were I really "caught" what was my personal vision of the character.
Lhyarian Shadowsong Face Sketches to be Colored
The model is an actress by the name of Amy Manson and most face sketches here were taken from her role as Lizzie Siddal in Desperate Romantics. As I mentioned before, the whole chosing an actor/actress for a model is very useful but also at times frustrating. You realize a lot about the quality of acting when you're doing an exercise like this one. Some actors always have the same expression. Some actors never risk powerful emotion. Amy Manson, I feared, would be one of these. There was a lot of soulful staring from her green, green eyes and a lot of pouty moping. BUT she ended up suprising me as there was also a lot of range there. Less so, I still think, than what I got from Ellen Page. Though it might be because of the difference in portrayed characters. Anyway, what that did was give a very clear difference between Saira and her mother and their respective features and expressions.
Lhyarian Shadowsong discarded Face Sketches
Even these are still good reference, though a lot of them I think I need to redo. A few were rushed and weirdly enough I wasn't nearly as happy with the profiles as I could have been. A lot of that, I think, is due to the fact that Amy Manson wore a gorgeous wig for Desperate Romantics. So gorgeous in fact that she scarce did anything with it and managed to make it cover her ears at all occasions O_O. I know those are elf ears there but dammit if I wouldn't have liked a little reference as to where I should place them. The ear reference came mostly from my hair reference which was Gwyneth Paltrow in Shakespeare in Love (oh those renaissence hairdos!)
I was extremely unhappy with the skirt here. I just don't seem to have the hang of long skirt fall and it shows. I was in too much of a rush to search for proper references and it shows. Once I ink them I'm going to have to work this problem out, truly.
Well that's all for now, thought I'm about halfway done with the next two sets, which I hope will be showier. I was afraid that Saira and Lhyarian looked too much alike to properly work out variety. But next in line are the manzorz! Yay! And also a remake of the marvelous, boobless cleric. Alas, I need to work on the bodytypes.